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home·artworks·ZAGES and a statue of Lenin
ZAGES and a statue of Lenin by Ilya Mashkov

plate no. 7940

ZAGES and a statue of Lenin

Ilya Mashkov, 1927

oilImpressionismlandscapedamstatuemountainswaterskyarchitecture
some experience helpful

Recreating this painting will help students develop skills in layering colors to create texture and depicting atmospheric perspective. It also provides practice in rendering architectural forms within a landscape.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the mountains, dam, and statue, paying attention to proportions.

  2. step 02

    Establish the horizon line and the overall composition.

  3. step 03

    Block in the main color areas for the sky, mountains, water, and structures using thin washes.

  4. step 04

    Begin layering colors to build up the texture and form of the mountains and foreground.

  5. step 05

    Add details to the dam and statue, focusing on light and shadow.

  6. step 06

    Refine the water, using short, broken brushstrokes to suggest movement.

  7. step 07

    Add final highlights and shadows to enhance the sense of depth and realism.

  8. step 08

    Review and adjust the overall color harmony and balance.

color palette

primary · burnt sienna · ultramarine blue · titanium white · yellow ochre

secondary · viridian green · alizarin crimson

Mix various shades of brown and orange for the mountains by combining burnt sienna, yellow ochre, and alizarin crimson. Use ultramarine blue and white for the sky, and add a touch of crimson for the clouds. Mix greens for the vegetation by combining blue and yellow.

techniques

  • ·broken color
  • ·layering
  • ·dry brushing
  • ·atmospheric perspective
  • ·scumbling

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a clear value structure.
  • →Using colors straight from the tube without mixing.
  • →Ignoring the effects of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oils)
  • ·mineral spirits (if using oils)

optional

  • ·medium gloss
  • ·easel
  • ·rags

Use a medium-grit canvas to allow for good paint adhesion and texture. Acrylics are more beginner-friendly due to their faster drying time and ease of cleanup.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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