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home·artworks·Zabava Putyatichna
Zabava Putyatichna by Sergey Solomko

plate no. 4926

Zabava Putyatichna

Sergey Solomko

oilArt Nouveau (Modern)mythological paintingfiguresunflowersornamentsdresscrownjewelry
some experience helpful

Recreating this painting will help students develop skills in rendering detailed ornamentation and capturing the subtle color variations in fabric and skin tones. It also provides practice in composing a balanced image with both floral and figurative elements.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the figure, sunflowers, and background elements.

  2. step 02

    Block in the main color areas for the skin, dress, sunflowers, and leaves using diluted washes.

  3. step 03

    Begin adding details to the face, focusing on accurate proportions and subtle shading.

  4. step 04

    Develop the details of the dress, paying attention to the folds and the intricate ornamentation.

  5. step 05

    Paint the sunflowers, building up layers of color to create depth and texture.

  6. step 06

    Refine the background, ensuring it complements the main subject without overpowering it.

  7. step 07

    Add highlights and shadows to create a sense of volume and dimension.

  8. step 08

    Make final adjustments to the colors and details to achieve a cohesive and polished look.

color palette

primary · titanium white · yellow ochre · burnt umber · cadmium yellow

secondary · viridian green · ultramarine blue · alizarin crimson

Mix various shades of white with yellow ochre and burnt umber to create the skin tones. Achieve the greens by mixing yellow and blue, and adjust the intensity with white or burnt umber. The gold is achieved by mixing yellow ochre, burnt umber, and a touch of red.

techniques

  • ·layering
  • ·glazing
  • ·dry brushing
  • ·color mixing
  • ·rendering details

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Getting the proportions of the figure wrong.
  • →Using colors that are too saturated or intense.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (sizes 0, 2, 4)
  • ·flat brushes (sizes 6, 8)
  • ·palette
  • ·palette knife
  • ·linseed oil or acrylic medium
  • ·paper towels

optional

  • ·retarder medium
  • ·varnish
  • ·easel

Use high-quality paints for best results. Consider using a medium to improve the flow and blending of the paints.

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oil painting for beginners →how to learn by studying the masters →
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