apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Young Woman with Her Child on Her Arm
Young Woman with Her Child on Her Arm by Anna Ancher

plate no. 6522

Young Woman with Her Child on Her Arm

Anna Ancher, 1905

oil, canvasImpressionismgenre paintingfigurechildlandscapefieldskyclothing
some experience helpful

Recreating this painting will help students develop skills in simplifying forms and capturing light with loose brushstrokes. It also provides practice in mixing subtle color variations to create a sense of depth and atmosphere.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the figure and the landscape.

  2. step 02

    Block in the large areas of color: the sky, the field, and the figure's dress.

  3. step 03

    Start defining the form of the figure with darker values, paying attention to the folds in the clothing.

  4. step 04

    Add the details of the face and hands, keeping the brushstrokes loose and expressive.

  5. step 05

    Refine the background, adding subtle variations in color to create a sense of depth.

  6. step 06

    Add highlights to the figure and the landscape to create a sense of light.

  7. step 07

    Check the overall composition and make any necessary adjustments.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · yellow ochre · raw umber · titanium white

secondary · burnt sienna · ivory black

Mix yellow ochre with white for the sky and field. Use raw umber and burnt sienna for the figure's dress, adding white to lighten the values. Use ivory black sparingly to darken shadows.

techniques

  • ·dry brush texture
  • ·scumbling
  • ·color blending
  • ·alla prima
  • ·simplification of forms

common pitfalls

  • →Overworking the details and losing the loose, expressive quality of the original.
  • →Using too much detail in the background, which can distract from the figure.
  • →Failing to capture the subtle variations in color that create a sense of depth.
  • →Making the values too dark, which can flatten the image.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 inches)
  • ·oil paints (yellow ochre, raw umber, burnt sienna, titanium white, ivory black)
  • ·palette
  • ·palette knife
  • ·assorted brushes (flat and round)
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·painting medium (e.g., Liquin)
  • ·varnish

A slightly textured canvas will enhance the brushwork. Use a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann