
plate no. 5273
Koloman Moser, 1913
approach — 8 steps
Lightly sketch the basic shapes of the head, hat, and shoulders, paying attention to proportions.
Block in the background with a thin layer of ochre and light blue.
Establish the main shadow areas on the face and neck with a darker mix of yellow ochre and burnt umber.
Apply the base skin tone using a mix of yellow ochre, white, and a touch of red.
Paint the hat with a mix of dark green and black, varying the tones to suggest form.
Add the red and white stripes of the clothing, using thick brushstrokes.
Refine the facial features, paying attention to the subtle shifts in value.
Add final details and highlights to the face, hat, and clothing.
color palette
primary · yellow ochre · burnt umber · titanium white · dark green
secondary · cadmium red · ultramarine blue
Skin tones are achieved by mixing yellow ochre, white, and small amounts of red and burnt umber. Shadows are created by adding more burnt umber to the base skin tone. The background is a mix of ochre and light blue.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a limited palette to simplify the color mixing process. Consider using a toned canvas to establish a base color.
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