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home·artworks·Young Woman Wearing a Hat
Young Woman Wearing a Hat by Henri Gervex

plate no. 9033

Young Woman Wearing a Hat

Henri Gervex

oilImpressionismportraitportraitwomanhatfurclothingface
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering soft, diffused light. It also provides practice in using visible brushstrokes to create texture and form.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, hat, and background.

  2. step 02

    Establish the overall warm tone of the background with a thin wash of color.

  3. step 03

    Block in the main areas of dark and light on the face, hat, and clothing, focusing on value relationships.

  4. step 04

    Begin to refine the facial features, paying attention to the subtle shifts in color and value.

  5. step 05

    Add details to the hat and fur, using short, broken brushstrokes to create texture.

  6. step 06

    Develop the dark areas of the clothing, using thicker paint and more visible brushstrokes.

  7. step 07

    Refine the edges of the forms, softening some and sharpening others to create depth.

  8. step 08

    Add final highlights and details to bring the painting to life.

color palette

primary · titanium white · yellow ochre · burnt umber

secondary · cadmium red · ivory black · raw sienna

Achieve skin tones by mixing white, yellow ochre, and a touch of red. Use burnt umber and black to create the dark tones of the clothing and fur. Mix white with a touch of yellow ochre to create the highlights.

techniques

  • ·dry brush texture
  • ·broken color
  • ·scumbling
  • ·portraiture
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the freshness of the brushstrokes.
  • →Failing to establish a strong value structure.
  • →Getting the proportions of the face wrong.
  • →Using colors that are too saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·cadmium red oil paint
  • ·ivory black oil paint
  • ·round brushes
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-grain canvas for best results. Consider using a toned canvas to speed up the painting process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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