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home·artworks·Young Woman on a Couch
Young Woman on a Couch by Berthe Morisot

plate no. 6810

Young Woman on a Couch

Berthe Morisot, 1885

charcoalImpressionismportraitportraitfigurewomancouchfabricinterior
experienced study

This painting would teach students loose, confident brushwork and color mixing for flesh tones, while developing skills in capturing fabric textures and the spontaneous, gestural quality characteristic of Impressionist portraiture.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Begin with a loose charcoal sketch to establish the figure's position and basic proportions

  2. step 02

    Block in the large color masses - blue background, green couch, and warm flesh tones

  3. step 03

    Establish the face with careful attention to eye placement and basic features

  4. step 04

    Build up the white dress using varied warm and cool whites with visible brushstrokes

  5. step 05

    Add the hair using loose, directional strokes in browns and golden tones

  6. step 06

    Refine facial features with subtle color variations and soft edges

  7. step 07

    Develop fabric folds and textures in the dress with confident, gestural marks

  8. step 08

    Final touches on highlights and color accents throughout the composition

color palette

primary · ultramarine blue · cadmium yellow light · burnt sienna · titanium white

secondary · viridian green · cadmium orange · raw umber · alizarin crimson

Mix warm flesh tones using white, yellow ochre, and tiny amounts of cadmium red and burnt sienna. Create varied whites by mixing titanium white with hints of yellow, blue, or orange depending on the light.

techniques

  • ·loose brushwork
  • ·color mixing for skin tones
  • ·gestural mark-making
  • ·wet-on-wet blending
  • ·impasto texture

common pitfalls

  • →overworking the brushstrokes
  • →making the whites too pure
  • →losing the spontaneous quality
  • →getting too tight with details

materials

surface · primed canvas or canvas board

required

  • ·#6 flat brush
  • ·#4 filbert brush
  • ·#2 round brush
  • ·ultramarine blue oil paint
  • ·cadmium yellow light
  • ·burnt sienna
  • ·titanium white
  • ·stretched canvas 16x20

optional

  • ·palette knife
  • ·#8 flat brush
  • ·painting medium
  • ·rag or paper towels

Use bristle brushes to achieve the visible, textured brushwork characteristic of this Impressionist style

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related guides

how to draw →color theory for painters →how to learn by studying the masters →
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