
plate no. 6810
Berthe Morisot, 1885
This painting would teach students loose, confident brushwork and color mixing for flesh tones, while developing skills in capturing fabric textures and the spontaneous, gestural quality characteristic of Impressionist portraiture.
technical profile
approach — 8 steps
Begin with a loose charcoal sketch to establish the figure's position and basic proportions
Block in the large color masses - blue background, green couch, and warm flesh tones
Establish the face with careful attention to eye placement and basic features
Build up the white dress using varied warm and cool whites with visible brushstrokes
Add the hair using loose, directional strokes in browns and golden tones
Refine facial features with subtle color variations and soft edges
Develop fabric folds and textures in the dress with confident, gestural marks
Final touches on highlights and color accents throughout the composition
color palette
primary · ultramarine blue · cadmium yellow light · burnt sienna · titanium white
secondary · viridian green · cadmium orange · raw umber · alizarin crimson
Mix warm flesh tones using white, yellow ochre, and tiny amounts of cadmium red and burnt sienna. Create varied whites by mixing titanium white with hints of yellow, blue, or orange depending on the light.
techniques
common pitfalls
surface · primed canvas or canvas board
required
optional
Use bristle brushes to achieve the visible, textured brushwork characteristic of this Impressionist style
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