apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Young Woman In Green Outdoors In The Sun
Young Woman In Green Outdoors In The Sun by Mary Cassatt

plate no. 6396

Young Woman In Green Outdoors In The Sun

Mary Cassatt, 1914

oil, canvasImpressionismportraitfigureportraithatdressoutdoorsunlight
some experience helpful

Recreating this painting will help students develop skills in portrait painting, particularly in capturing light and shadow on skin tones, and in using expressive brushstrokes to create texture and form.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the figure, hat, and background.

  2. step 02

    Block in the main areas of color, focusing on the overall values.

  3. step 03

    Establish the light source and begin to define the shadows and highlights on the face and clothing.

  4. step 04

    Develop the background with loose, expressive brushstrokes.

  5. step 05

    Refine the facial features, paying attention to the subtle variations in skin tone.

  6. step 06

    Add details to the hat and dress, capturing the texture and folds.

  7. step 07

    Adjust the overall composition and values to create a sense of harmony.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · ultramarine blue · yellow ochre · titanium white · burnt sienna

secondary · viridian green · cadmium yellow

Mix skin tones by blending burnt sienna, yellow ochre, and white, adding small amounts of blue or green to adjust the temperature. Achieve the blues and greens by mixing ultramarine blue, viridian green, and white.

techniques

  • ·broken color
  • ·scumbling
  • ·alla prima
  • ·color temperature
  • ·directional brushstrokes

common pitfalls

  • →over-blending skin tones
  • →getting the proportions of the face wrong
  • →making the background too detailed
  • →not capturing the effect of sunlight

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann