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home·artworks·Young Woman in front of a Mirror
Young Woman in front of a Mirror by Anna Ancher

plate no. 8421

Young Woman in front of a Mirror

Anna Ancher, 1899

oil, canvasImpressionismgenre paintingfigureinteriormirrorflowerswindowdress
some experience helpful

Recreating this painting will help students develop skills in depicting light and shadow, particularly the subtle gradations of light within an interior scene. It also provides practice in capturing the texture of fabrics and the reflective qualities of glass.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the main shapes and composition.

  2. step 02

    Block in the large areas of color, focusing on the overall values.

  3. step 03

    Establish the background colors and the light coming through the window.

  4. step 04

    Develop the figure, paying attention to the folds and shadows in the dress.

  5. step 05

    Add details to the mirror, flowers, and other objects on the table.

  6. step 06

    Refine the brushwork and add highlights to create a sense of depth and texture.

  7. step 07

    Adjust the colors and values as needed to achieve a harmonious balance.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · yellow ochre · ultramarine blue · titanium white

secondary · burnt umber · sap green · cadmium yellow

Mix yellow ochre and white for the walls and curtains. Combine ultramarine blue and burnt umber for the dress, adjusting the ratio for shadows and highlights. Use cadmium yellow with a touch of green for the flowers.

techniques

  • ·broken color
  • ·scumbling
  • ·glazing
  • ·wet-on-wet blending
  • ·impasto

common pitfalls

  • →Overworking the details and losing the overall impressionistic effect.
  • →Failing to capture the subtle gradations of light and shadow.
  • →Using colors that are too saturated or intense.
  • →Not establishing a clear focal point.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints (yellow ochre, ultramarine blue, titanium white, burnt umber, sap green, cadmium yellow)
  • ·assorted brushes (round and flat)
  • ·palette
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·painting apron

Use a medium-grit canvas for better texture. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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