apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Young Woman at the Beach
Young Woman at the Beach by Philip Wilson Steer

plate no. 0878

Young Woman at the Beach

Philip Wilson Steer

oilImpressionismgenre paintingfigurebeachseaskyshadowdress
some experience helpful

Recreating this painting will help students develop skills in capturing light and shadow, as well as simplifying forms to create an impressionistic effect. It's a good exercise in limited palette painting and creating atmospheric perspective.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the figure, horizon line, and main shadow areas.

  2. step 02

    Block in the sky and sea with a thin wash of light, muted colors.

  3. step 03

    Establish the main value of the beach using a mix of browns and yellows.

  4. step 04

    Start building up the form of the figure with light pinks and darker shadows, focusing on the dress.

  5. step 05

    Add the dark accents of the hair and stockings, paying attention to the edges.

  6. step 06

    Refine the shadows on the beach, connecting them to the figure.

  7. step 07

    Add subtle details like the hat and the suggestion of waves in the sea.

  8. step 08

    Soften edges and blend colors to create a hazy, atmospheric effect.

color palette

primary · titanium white · yellow ochre · burnt umber · alizarin crimson

secondary · ultramarine blue · ivory black

Mix white with small amounts of yellow ochre and burnt umber to create the sky and beach. Use alizarin crimson and white for the pink dress, adding a touch of burnt umber for shadows. Mix ultramarine blue and burnt umber for the dark stockings and hair.

techniques

  • ·dry brushing
  • ·scumbling
  • ·blending
  • ·atmospheric perspective
  • ·limited palette

common pitfalls

  • →Overworking the details
  • →Using too much color
  • →Creating harsh lines
  • →Ignoring the effect of light and shadow

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·alizarin crimson oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·odorless mineral spirits
  • ·medium gloss

Use a canvas with a smooth texture to facilitate blending. Thin the oil paints with linseed oil for smoother application.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann