
plate no. 2196
Recreating this painting will help students develop skills in portraiture, including capturing likeness and creating subtle skin tones. It also provides practice in rendering fabric and decorative details.
technical profile
approach — 8 steps
Create a light sketch outlining the figure's pose and proportions.
Block in the main areas of color: skin, dress, background.
Begin layering skin tones, focusing on subtle variations in light and shadow.
Refine the details of the face, paying attention to the eyes, nose, and mouth.
Work on the dress, adding details like the trim and folds.
Paint the hair, using thin layers to create texture and depth.
Add the floral crown, paying attention to the shapes and colors of the flowers.
Make final adjustments to the overall composition and details.
color palette
primary · ivory black · cadmium red · raw umber · titanium white
secondary · yellow ochre · gold
Skin tones are achieved by mixing white, red, and umber, with small amounts of yellow ochre for warmth. Darker tones are created by adding black or burnt umber. The red of the dress can be modified with black for shadows and white for highlights.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a smooth canvas for best results. Consider using a toned ground to help establish the overall color scheme.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

The Adoration of the Kings
Giorgione

The Annunciation
Vittore Carpaccio

Madonna and Child with Saints Liberale and Francis (The Castelfranco Madonna)
Giorgione

St. Helena
Cima da Conegliano

St. Nicholas of Tolentino
Pietro Perugino

Portrait of Elizabeth Gonzaga
Raphael

Sibyl
Dosso Dossi

Madonna with Child and Saints
Raphael