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home·artworks·Young Neapolitan woman with her little child
Young Neapolitan woman with her little child by Leopold Pollak

plate no. 3117

Young Neapolitan woman with her little child

Leopold Pollak, 1845

oil, canvasRomanticismgenre paintingfigurechildwomanskyseaclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, figure drawing, and blending skin tones. It also provides practice in rendering fabric and creating a sense of depth through atmospheric perspective.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main figures and the background elements, paying attention to proportions.

  2. step 02

    Block in the main color areas for the sky, sea, figures, and clothing using thin washes.

  3. step 03

    Start building up the skin tones of the figures, focusing on highlights and shadows.

  4. step 04

    Develop the details of the woman's clothing, including the folds and textures.

  5. step 05

    Refine the background, adding details to the sea and sky to create depth.

  6. step 06

    Add the final details, such as the woman's jewelry and the vase of flowers.

  7. step 07

    Glaze over areas to unify the colors and create a sense of atmosphere.

  8. step 08

    Add final highlights and shadows to enhance the form and create visual interest.

color palette

primary · titanium white · raw umber · cadmium yellow · alizarin crimson

secondary · viridian green · ultramarine blue · yellow ochre

Mix skin tones using white, raw umber, alizarin crimson, and a touch of cadmium yellow. Create the green of the vest by mixing viridian green with yellow ochre. Achieve the brown of the skirt by mixing raw umber with alizarin crimson.

techniques

  • ·blending
  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·figure drawing

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the skin tones and making them look muddy.
  • →Failing to create a sense of depth in the background.
  • →Ignoring the subtle color variations in the clothing.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·cadmium yellow oil paint
  • ·alizarin crimson oil paint
  • ·viridian green oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·painting easel

Use high-quality oil paints for best results. A medium such as linseed oil can be used to thin the paints and improve blending.

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