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home·artworks·Young man (The impassioned singer)
Young man (The impassioned singer) by Giorgione

plate no. 6287

Young man (The impassioned singer)

Giorgione, 1510

oil, canvasHigh Renaissanceportraitfigureportraitmanhatclothinghand
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones. It also provides practice in depicting folds and drapery in clothing.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, paying attention to the placement of the head, shoulders, and hand.

  2. step 02

    Establish the main areas of light and shadow using a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Begin blocking in the local colors of the skin, hat, and clothing, focusing on the overall value relationships.

  4. step 04

    Gradually build up the form by layering and blending colors, paying close attention to the subtle shifts in tone.

  5. step 05

    Refine the details of the face, including the eyes, nose, and mouth, to capture the likeness of the subject.

  6. step 06

    Add highlights and shadows to the clothing and hat to create a sense of depth and volume.

  7. step 07

    Soften edges and blend transitions to create a smooth, painterly effect.

  8. step 08

    Make final adjustments to the values and colors to achieve a harmonious and balanced composition.

color palette

primary · burnt umber · titanium white · cadmium red

secondary · yellow ochre · raw sienna · ivory black

Achieve skin tones by mixing white, yellow ochre, and a touch of red and umber. Use varying amounts of red and umber to create shadows and highlights. The hat is primarily red with umber shadows.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture
  • ·blending

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated or intense.
  • →Ignoring the subtle shifts in tone and color.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·round brushes (various sizes)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. A medium-sized canvas (e.g., 16x20 inches) is recommended.

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