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home·artworks·Young man seen from behind, face in profile
Young man seen from behind, face in profile by Parmigianino

plate no. 1485

Young man seen from behind, face in profile

Parmigianino, 1520

pen, ink, paperMannerism (Late Renaissance)sketch and studyfigureportraitdraperyprofilehairsketch
some experience helpful

Recreating this drawing will help students develop skills in contour drawing, cross-hatching, and understanding form through line and value. It's a good exercise for practicing expressive linework and capturing the essence of a subject with minimal detail.

technical profile

palette complexity
2
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the overall composition, focusing on the proportions and placement of the figure.

  2. step 02

    Define the main contours of the figure, including the head, shoulders, and drapery.

  3. step 03

    Add details to the face, paying attention to the profile and expression.

  4. step 04

    Use hatching and cross-hatching to create shadows and volume on the figure and drapery.

  5. step 05

    Vary the line weight to emphasize certain areas and create depth.

  6. step 06

    Develop the hair with short, curved strokes to suggest texture and volume.

  7. step 07

    Refine the background with subtle hatching to create a sense of space.

  8. step 08

    Add final details and adjust values as needed to complete the drawing.

color palette

primary · sepia ink · ivory black

secondary · light grey

Vary the dilution of the sepia ink to create different shades of brown and grey. Use a very light wash of grey for the background.

techniques

  • ·Contour drawing
  • ·Hatching and cross-hatching
  • ·Varying line weight
  • ·Rendering form with line
  • ·Creating texture with line

common pitfalls

  • →Overworking the drawing and losing the spontaneity of the sketch.
  • →Failing to capture the proportions and anatomy of the figure accurately.
  • →Using lines that are too uniform and lacking in expression.
  • →Not creating enough contrast between light and shadow.

materials

surface · Smooth drawing paper

required

  • ·Smooth drawing paper
  • ·Sepia ink
  • ·Fine-tipped drawing pens (various sizes)
  • ·Soft eraser
  • ·Pencil (HB)
  • ·Ruler

optional

  • ·Grey wash
  • ·Blending stump

Experiment with different types of drawing paper and pens to find the materials that work best for you. Use a light touch when sketching the initial lines to avoid damaging the paper.

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related guides

how to draw →how to learn by studying the masters →
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