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home·artworks·Young man in a gold decorated suit of armour
Young man in a gold decorated suit of armour by Tintoretto

plate no. 9346

Young man in a gold decorated suit of armour

Tintoretto, 1556

oilMannerism (Late Renaissance)portraitportraitarmorfigurecolumnlandscapebeard
experienced study

Recreating this painting will develop skills in rendering metallic surfaces and capturing realistic skin tones. It will also teach how to create depth and form through careful observation of light and shadow.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure and background.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber.

  3. step 03

    Block in the main color areas: skin, armor, clothing, and background.

  4. step 04

    Begin refining the details of the face, paying close attention to the light and shadow.

  5. step 05

    Work on the armor, using highlights and shadows to create a sense of depth and reflectivity.

  6. step 06

    Add the details of the clothing and background, including the landscape visible through the window.

  7. step 07

    Refine the edges and details throughout the painting, making sure to maintain a sense of unity.

  8. step 08

    Add final glazes to enrich the colors and create a sense of atmosphere.

color palette

primary · ivory black · titanium white · burnt umber · cadmium red

secondary · yellow ochre · raw sienna · ultramarine blue

Mix blacks and whites with touches of umber and red to create realistic skin tones. Use layers of yellow ochre and raw sienna to create the gold highlights on the armor. Mix ultramarine with burnt umber for the dark tones in the armor.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·underpainting
  • ·rendering metal

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Not paying enough attention to the subtle shifts in light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·retouch varnish
  • ·medium (e.g. liquin)

Use high-quality oil paints for best results. A medium-tooth canvas will provide a good surface for layering.

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