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home·artworks·Young Bean Farmer
Young Bean Farmer by Peter Doig

plate no. 7181

Young Bean Farmer

Peter Doig, 1991

oilMagic Realismlandscapelandscapefigurefieldbuildingstreesfence
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as simplifying complex scenes into basic shapes and forms. It also encourages experimentation with expressive brushwork and color choices.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the buildings, figure, and fence lines.

  2. step 02

    Apply a thin wash of burnt sienna or a similar earth tone to the entire canvas as an underpainting.

  3. step 03

    Block in the main areas of color: the orange field, the muted green sky, and the white buildings.

  4. step 04

    Add texture to the field using short, broken brushstrokes and varying shades of orange and yellow.

  5. step 05

    Paint the figure with a simplified form and a reddish hue.

  6. step 06

    Create the fence posts with dark brown or black, adding subtle variations in tone.

  7. step 07

    Paint the branches in the foreground using thick, textured strokes of white and gray.

  8. step 08

    Add small details like the green 'beans' on the branches and the barbed wire on the fence.

color palette

primary · burnt sienna · yellow ochre · titanium white

secondary · payne's gray · cadmium red light · sap green

Mix burnt sienna with white and yellow ochre to create the various shades of orange in the field. Use Payne's gray and white to create the gray branches. Add small amounts of red to the orange to create the figure.

techniques

  • ·dry brush texture
  • ·layering
  • ·scumbling
  • ·broken color
  • ·simplified forms

common pitfalls

  • →overworking the details
  • →making the colors too saturated
  • →losing the overall composition
  • →not creating enough depth

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·#4 round brush
  • ·#8 flat brush
  • ·palette
  • ·palette knife
  • ·linseed oil or acrylic medium

optional

  • ·retarder medium
  • ·varnish

Use a medium that allows for layering and blending. Acrylics will dry faster, while oils will allow for more blending time.

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related guides

oil painting for beginners →how to learn by studying the masters →
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