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home·artworks·Yosemite Falls
Yosemite Falls by Thomas Hill

plate no. 5609

Yosemite Falls

Thomas Hill

oilRomanticismlandscapemountainswaterfalltreesriverskylandscape
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and layering techniques to create depth. It also provides practice in rendering realistic textures of rocks, trees, and water.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the mountains, waterfall, and river.

  2. step 02

    Establish the sky and distant mountain values with thin washes of color.

  3. step 03

    Block in the main shapes of the mountains, using a range of browns and grays.

  4. step 04

    Begin adding details to the rock faces, using dry brush techniques to create texture.

  5. step 05

    Paint the waterfall with varying shades of white and gray, suggesting movement.

  6. step 06

    Add the trees and foliage in the foreground, using darker greens and browns.

  7. step 07

    Reflect the landscape in the river, paying attention to the color and value relationships.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · burnt umber · raw sienna · titanium white · ultramarine blue

secondary · yellow ochre · cadmium yellow · viridian green · alizarin crimson

Mix browns and grays by combining burnt umber, raw sienna, ultramarine blue, and white. Use yellow ochre and cadmium yellow to create highlights on the rocks and trees. Mix viridian green and alizarin crimson to create darker greens for the foliage.

techniques

  • ·dry brush
  • ·layering
  • ·atmospheric perspective
  • ·scumbling
  • ·broken color

common pitfalls

  • →Overworking the details in the foreground
  • →Failing to create a sense of depth
  • →Using too much pure white in the waterfall
  • →Ignoring the subtle color variations in the rocks

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·#2 round brush
  • ·#6 flat brush
  • ·#10 filbert brush
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-tooth canvas for better texture. Consider using a limited palette to simplify color mixing.

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