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home·artworks·Yarmouth Jetty
Yarmouth Jetty by John Crome

plate no. 3872

Yarmouth Jetty

John Crome, 1811

oilRomanticismmarinajettyboatsfiguresseaskybeach
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing the texture of water and weathered wood. It also provides practice in rendering figures in a landscape setting.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main shapes: the jetty, the horizon line, and the major cloud formations.

  2. step 02

    Establish the sky with broad, blended strokes, creating a sense of depth and atmosphere.

  3. step 03

    Block in the general tones of the sea, paying attention to the subtle color variations in the water.

  4. step 04

    Paint the jetty, focusing on the texture of the wood and the perspective of the receding structure.

  5. step 05

    Add the boats in the distance, simplifying their shapes and colors to suggest distance.

  6. step 06

    Introduce the figures on the beach and jetty, using small brushstrokes to define their forms.

  7. step 07

    Refine the details of the waves and the reflections in the water.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and realism.

color palette

primary · raw umber · titanium white · Prussian blue

secondary · yellow ochre · burnt sienna · ivory black

Mix muted greens and blues for the sea by combining Prussian blue, raw umber, and white. Use yellow ochre and burnt sienna to create the warm tones of the jetty and sails.

techniques

  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective
  • ·broken color

common pitfalls

  • →Overworking the details, losing the overall atmospheric effect.
  • →Failing to establish a clear sense of depth and perspective.
  • →Using colors that are too saturated, resulting in an unnatural appearance.
  • →Neglecting the subtle color variations in the water and sky.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·Prussian blue oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium (e.g., Liquin)
  • ·easel

Use a canvas with a fine weave to allow for smooth blending. Consider using a toned canvas to establish a base color.

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oil painting for beginners →how to learn by studying the masters →
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