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home·artworks·Yalta at night
Yalta at night by Konstantín Korovin

plate no. 2049

Yalta at night

Konstantín Korovin, 1905

oilImpressionismcityscapecityscapenightbuildingsfigurestreeslights
some experience helpful

Recreating this painting will help students develop skills in capturing atmospheric perspective and using broken color to represent light and shadow in a complex scene. It also encourages expressive brushwork and simplification of detail.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
5
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and composition, focusing on the placement of buildings and the horizon line.

  2. step 02

    Block in the large areas of color, starting with the darkest values in the sky and gradually working towards the lighter areas.

  3. step 03

    Establish the warm glow of the lights and windows using a mix of yellows, oranges, and reds.

  4. step 04

    Add the details of the buildings and figures using loose, expressive brushstrokes.

  5. step 05

    Create the impression of depth by softening the edges of distant objects and using cooler colors.

  6. step 06

    Introduce texture with thicker paint application and visible brushstrokes, especially in the foreground.

  7. step 07

    Refine the highlights and shadows, paying attention to the way light interacts with different surfaces.

  8. step 08

    Add final details, such as the bare branches of the trees, using a fine brush.

color palette

primary · ultramarine blue · burnt umber · yellow ochre · titanium white

secondary · cadmium red · raw sienna

Achieve the dark blues of the sky by mixing ultramarine blue and burnt umber. Create the warm glow of the lights by mixing yellow ochre, cadmium red, and white. Use raw sienna and burnt umber for the earth tones.

techniques

  • ·broken color
  • ·impasto
  • ·scumbling
  • ·alla prima
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details and losing the impressionistic feel.
  • →Creating muddy colors by overmixing.
  • →Failing to capture the contrast between light and shadow.
  • →Not establishing a clear focal point.
  • →Getting the perspective wrong on the buildings.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-sized canvas to allow for expressive brushwork. Consider using a toned canvas to help establish the overall color scheme.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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