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home·artworks·World's Columbian Exposition
World's Columbian Exposition by Theodore Robinson

plate no. 9236

World's Columbian Exposition

Theodore Robinson, 1893

oilImpressionismcityscapebuildingswatertreesskyfigurescityscape
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing the impression of light and detail in a complex scene. It also provides practice in rendering architectural forms with loose brushwork.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the basic composition and perspective.

  2. step 02

    Block in the large shapes of the buildings, water, and sky using diluted washes of color.

  3. step 03

    Establish the horizon line and the vanishing points for the perspective.

  4. step 04

    Gradually build up layers of color, adding more detail to the architectural elements.

  5. step 05

    Use broken brushstrokes to suggest the texture of the trees and foliage.

  6. step 06

    Pay attention to the values and colors of the water, reflecting the sky and surrounding buildings.

  7. step 07

    Add small figures to the foreground to create a sense of scale and activity.

  8. step 08

    Refine the details and add highlights to create a sense of depth and atmosphere.

color palette

primary · ultramarine blue · titanium white · yellow ochre · burnt sienna

secondary · cadmium red · viridian green

Mix blues and whites for the sky, adding touches of yellow ochre for warmth. Use burnt sienna and yellow ochre for the buildings, and mix greens with blues and yellows for the foliage. Add white to lighten values and create atmospheric perspective.

techniques

  • ·atmospheric perspective
  • ·broken brushstrokes
  • ·color mixing
  • ·layering
  • ·scumbling

common pitfalls

  • →Getting bogged down in excessive detail too early.
  • →Failing to establish a strong sense of perspective.
  • →Overworking the painting and losing the freshness of the initial impression.
  • →Not creating enough variation in color and value.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium (e.g., Liquin)
  • ·easel
  • ·varnish

Use a medium-grain canvas for best results. Consider using a toned canvas to simplify the initial blocking-in stage.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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