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home·artworks·Women Bathing in the Park at Terni
Women Bathing in the Park at Terni by Carl Blechen

plate no. 6971

Women Bathing in the Park at Terni

Carl Blechen, 1830

oilRomanticismlandscapetreeslandscapefigureswaterfoliagemountains
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering complex foliage with subtle color variations. It also provides practice in depicting the human figure in a natural setting.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees, figures, and water.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or raw sienna.

  3. step 03

    Block in the main areas of color: the sky, mountains, trees, ground, and water.

  4. step 04

    Begin layering the foliage, starting with the darkest greens and gradually adding lighter highlights.

  5. step 05

    Paint the figures, paying attention to the light and shadow on their bodies.

  6. step 06

    Add details to the trees, such as branches and leaves, using a variety of brushstrokes.

  7. step 07

    Refine the reflections in the water, using soft, blended strokes.

  8. step 08

    Add final highlights and details to create depth and realism.

color palette

primary · sap green · yellow ochre · burnt umber · titanium white

secondary · ultramarine blue · cadmium red · raw sienna

Achieve the various greens by mixing sap green, yellow ochre, and burnt umber. Use ultramarine blue and burnt umber to create the darker shadows in the foliage. Mix titanium white with small amounts of cadmium red, yellow ochre, and burnt umber to create the skin tones.

techniques

  • ·atmospheric perspective
  • ·scumbling
  • ·glazing
  • ·broken color
  • ·figure drawing

common pitfalls

  • →Overworking the foliage, resulting in a flat, lifeless appearance.
  • →Neglecting the importance of value contrast, leading to a lack of depth.
  • →Failing to accurately depict the human figure, making it appear unnatural.
  • →Ignoring the subtle color variations in the foliage and water.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round, flat, filbert)
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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