
plate no. 3946
Mary Cassatt, 1914
Recreating this painting will help students develop skills in portrait painting, color mixing for skin tones, and creating soft, impressionistic brushstrokes. It also provides practice in capturing the subtle nuances of light and shadow on fabric.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on the placement of the figure, the vase of flowers, and the other objects.
Block in the main areas of color, starting with the background and then moving to the figure's dress and skin.
Begin to refine the shapes and values, paying attention to the light and shadow on the figure's face and hands.
Mix and apply the colors for the flowers, using short, broken brushstrokes to create a sense of texture.
Add details to the dress and the objects in the background, using smaller brushes and more precise strokes.
Refine the skin tones, using subtle variations in color to create a sense of depth and realism.
Add final highlights and shadows to create a sense of dimension and form.
Step back and assess the painting, making any necessary adjustments to the composition, color, or value.
color palette
primary · yellow ochre · viridian · burnt umber · titanium white
secondary · alizarin crimson · ultramarine blue · cadmium yellow light
Achieve skin tones by mixing white, yellow ochre, and a touch of alizarin crimson. Create the green of the dress by mixing viridian with yellow ochre and burnt umber.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.
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