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home·artworks·Woman Sewing
Woman Sewing by Mary Cassatt

plate no. 3946

Woman Sewing

Mary Cassatt, 1914

oil, canvasImpressionismportraitfigureportraitdressflowersstill lifedomestic scene
some experience helpful

Recreating this painting will help students develop skills in portrait painting, color mixing for skin tones, and creating soft, impressionistic brushstrokes. It also provides practice in capturing the subtle nuances of light and shadow on fabric.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, the vase of flowers, and the other objects.

  2. step 02

    Block in the main areas of color, starting with the background and then moving to the figure's dress and skin.

  3. step 03

    Begin to refine the shapes and values, paying attention to the light and shadow on the figure's face and hands.

  4. step 04

    Mix and apply the colors for the flowers, using short, broken brushstrokes to create a sense of texture.

  5. step 05

    Add details to the dress and the objects in the background, using smaller brushes and more precise strokes.

  6. step 06

    Refine the skin tones, using subtle variations in color to create a sense of depth and realism.

  7. step 07

    Add final highlights and shadows to create a sense of dimension and form.

  8. step 08

    Step back and assess the painting, making any necessary adjustments to the composition, color, or value.

color palette

primary · yellow ochre · viridian · burnt umber · titanium white

secondary · alizarin crimson · ultramarine blue · cadmium yellow light

Achieve skin tones by mixing white, yellow ochre, and a touch of alizarin crimson. Create the green of the dress by mixing viridian with yellow ochre and burnt umber.

techniques

  • ·broken color
  • ·wet-on-wet blending
  • ·scumbling
  • ·color layering
  • ·impressionistic brushwork

common pitfalls

  • →Over-blending colors, resulting in a muddy appearance.
  • →Failing to capture the subtle variations in skin tone.
  • →Ignoring the importance of light and shadow in creating form.
  • →Getting lost in details too early in the process.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints
  • ·assorted brushes (round and flat)
  • ·palette
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife

optional

  • ·medium gloss
  • ·easel
  • ·rags

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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