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home·artworks·Woman`s Head with Large Hat
Woman`s Head with Large Hat by Mary Cassatt

plate no. 8892

Woman`s Head with Large Hat

Mary Cassatt, 1909

pastelImpressionismportraitportraitwomanhatfigureclothing
some experience helpful

Recreating this painting will help students develop skills in pastel blending and layering, as well as capturing the subtle nuances of skin tones and fabric textures. It also provides practice in creating a sense of depth and form with minimal detail.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the head, hat, and shoulders using a pastel pencil.

  2. step 02

    Block in the background with a mid-tone pastel, blending it smoothly.

  3. step 03

    Begin layering the skin tones, starting with light yellows and pinks, then adding shadows with browns and purples.

  4. step 04

    Work on the hat, using blues and whites for the brim and a darker blue for the crown.

  5. step 05

    Add details to the face, such as the eyes, nose, and mouth, using small, precise strokes.

  6. step 06

    Refine the shadows and highlights to create a sense of depth and form.

  7. step 07

    Add final touches, such as the wisps of hair and the details on the hat.

  8. step 08

    Blend and soften edges as needed to create a cohesive and impressionistic look.

color palette

primary · ultramarine blue · white · yellow ochre · rose madder

secondary · burnt umber · violet · light blue

Mix light skin tones by blending white, yellow ochre, and rose madder. Create shadows by adding small amounts of burnt umber or violet to the skin tone mix. Achieve the blue of the hat by layering ultramarine blue and white.

techniques

  • ·pastel blending
  • ·layering
  • ·hatching
  • ·scumbling
  • ·softening edges

common pitfalls

  • →Over-blending, resulting in a muddy appearance.
  • →Using too much pressure, making the pastels difficult to blend.
  • →Neglecting to layer colors, resulting in a flat, lifeless appearance.
  • →Ignoring the subtle shifts in value and color.

materials

surface · pastel paper (toned)

required

  • ·assorted soft pastels
  • ·pastel pencils
  • ·pastel paper (toned)
  • ·kneaded eraser
  • ·blending stumps
  • ·fixative spray
  • ·drawing board

optional

  • ·palette knife
  • ·workable fixative
  • ·soft cloths

Choose a pastel paper with a slightly rough texture to grip the pastels. A toned paper will help to create a more harmonious and unified composition.

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related guides

color theory for painters →how to learn by studying the masters →
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