
plate no. 8892
Mary Cassatt, 1909
Recreating this painting will help students develop skills in pastel blending and layering, as well as capturing the subtle nuances of skin tones and fabric textures. It also provides practice in creating a sense of depth and form with minimal detail.
technical profile
approach — 8 steps
Lightly sketch the basic shapes of the head, hat, and shoulders using a pastel pencil.
Block in the background with a mid-tone pastel, blending it smoothly.
Begin layering the skin tones, starting with light yellows and pinks, then adding shadows with browns and purples.
Work on the hat, using blues and whites for the brim and a darker blue for the crown.
Add details to the face, such as the eyes, nose, and mouth, using small, precise strokes.
Refine the shadows and highlights to create a sense of depth and form.
Add final touches, such as the wisps of hair and the details on the hat.
Blend and soften edges as needed to create a cohesive and impressionistic look.
color palette
primary · ultramarine blue · white · yellow ochre · rose madder
secondary · burnt umber · violet · light blue
Mix light skin tones by blending white, yellow ochre, and rose madder. Create shadows by adding small amounts of burnt umber or violet to the skin tone mix. Achieve the blue of the hat by layering ultramarine blue and white.
techniques
common pitfalls
surface · pastel paper (toned)
required
optional
Choose a pastel paper with a slightly rough texture to grip the pastels. A toned paper will help to create a more harmonious and unified composition.
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