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home·artworks·Woman Reading in a Garden
Woman Reading in a Garden by Mary Cassatt

plate no. 4222

Woman Reading in a Garden

Mary Cassatt, 1880

oil, canvasImpressionismportraitfigurewomangardenflowerschairreading
some experience helpful

Recreating this painting will help students develop skills in capturing light and shadow in a garden setting and practice painting a portrait with loose, impressionistic brushstrokes. It also provides practice in rendering fabric and skin tones with subtle color variations.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, chair, and background elements.

  2. step 02

    Establish the main light source and block in the large areas of color for the background, figure, and chair.

  3. step 03

    Begin to refine the shapes and values of the figure, paying attention to the subtle shifts in skin tone and the folds of the dress.

  4. step 04

    Add details to the flowers and foliage in the background, using short, broken brushstrokes to create texture and depth.

  5. step 05

    Refine the details of the face, focusing on capturing the expression and likeness of the subject.

  6. step 06

    Add the details of the chair and the newspaper, paying attention to the way the light interacts with these objects.

  7. step 07

    Adjust the overall color harmony and value contrast to create a sense of unity and balance.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · titanium white · yellow ochre · alizarin crimson

secondary · viridian · ultramarine blue · raw umber

Achieve the skin tones by mixing white, yellow ochre, and a touch of alizarin crimson. Use viridian and ultramarine blue to create the greens of the foliage. Mix white with small amounts of the other colors to create the light tones in the dress.

techniques

  • ·broken color
  • ·wet-on-wet blending
  • ·scumbling
  • ·color layering
  • ·impressionistic brushwork

common pitfalls

  • →Overworking the details
  • →Using too much detail in the background
  • →Creating muddy colors by over-mixing
  • →Ignoring the subtle shifts in value and color

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·medium gloss
  • ·easel
  • ·rags
  • ·photo reference

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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