
plate no. 4222
Mary Cassatt, 1880
approach — 8 steps
Sketch the basic composition, focusing on the placement of the figure, chair, and background elements.
Establish the main light source and block in the large areas of color for the background, figure, and chair.
Begin to refine the shapes and values of the figure, paying attention to the subtle shifts in skin tone and the folds of the dress.
Add details to the flowers and foliage in the background, using short, broken brushstrokes to create texture and depth.
Refine the details of the face, focusing on capturing the expression and likeness of the subject.
Add the details of the chair and the newspaper, paying attention to the way the light interacts with these objects.
Adjust the overall color harmony and value contrast to create a sense of unity and balance.
Add final highlights and details to complete the painting.
color palette
primary · titanium white · yellow ochre · alizarin crimson
secondary · viridian · ultramarine blue · raw umber
Achieve the skin tones by mixing white, yellow ochre, and a touch of alizarin crimson. Use viridian and ultramarine blue to create the greens of the foliage. Mix white with small amounts of the other colors to create the light tones in the dress.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
related guides
in this vein