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home·artworks·Woman on a Balcony
Woman on a Balcony by Tom Roberts

plate no. 4696

Woman on a Balcony

Tom Roberts, 1884

oilImpressionismgenre paintingfigurebalconywindowbuildinginteriorcurtain
some experience helpful

Recreating this painting will help students develop skills in depicting figures in indoor settings and capturing the effects of light and shadow on various surfaces. It also provides practice in creating a sense of depth and atmosphere through color and brushwork.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, balcony, and window.

  2. step 02

    Establish the main areas of light and shadow with a thin wash of diluted paint.

  3. step 03

    Block in the larger shapes of color, such as the figure's clothing, the balcony, and the window frame.

  4. step 04

    Begin to refine the details of the figure, paying attention to the folds of the fabric and the contours of the face.

  5. step 05

    Add details to the balcony and window, including the railings and the architectural elements.

  6. step 06

    Develop the background, creating a sense of depth and atmosphere with subtle variations in color and tone.

  7. step 07

    Add highlights and shadows to create a sense of volume and form.

  8. step 08

    Refine the overall composition, adjusting colors and values as needed to create a harmonious and balanced image.

color palette

primary · ivory black · titanium white · yellow ochre · raw umber

secondary · cadmium red light · viridian

Achieve the muted tones by mixing the primary colors with white and small amounts of the secondary colors. Use thin glazes to create subtle color variations.

techniques

  • ·broken color
  • ·scumbling
  • ·glazing
  • ·alla prima
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details, resulting in a stiff and unnatural appearance.
  • →Failing to establish a clear sense of light and shadow.
  • →Using colors that are too saturated, resulting in a garish and unrealistic image.
  • →Losing the overall composition by focusing too much on individual details.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·raw umber oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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