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home·artworks·Woman making herself up
Woman making herself up by Antonio Donghi

plate no. 8361

Woman making herself up

Antonio Donghi

oilMagic Realismgenre paintingfigureportraitstill lifetableflowersdress
some experience helpful

Recreating this painting will help students develop skills in smooth blending, color mixing for skin tones, and creating subtle gradations of light and shadow. It also provides practice in rendering realistic textures and forms.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure and objects.

  2. step 02

    Apply a thin underpainting using burnt umber or a similar earth tone to establish values.

  3. step 03

    Begin layering in the background color, blending smoothly to create a soft, even tone.

  4. step 04

    Paint the figure's skin tones, building up layers of color and blending carefully to achieve smooth transitions.

  5. step 05

    Add the dress, focusing on the subtle variations in color and value to create the illusion of folds and fabric.

  6. step 06

    Paint the still life elements on the table, paying attention to the details and textures of each object.

  7. step 07

    Refine the details of the face, including the eyes, lips, and hair.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and realism.

color palette

primary · titanium white · ultramarine blue · burnt sienna · cadmium red

secondary · yellow ochre · raw umber

Mix skin tones using white, red, and a touch of yellow ochre and burnt sienna. Create the blue dress by mixing ultramarine blue with white and small amounts of burnt sienna for shadows. The background is a mix of white, red, and a touch of burnt sienna.

techniques

  • ·smooth blending
  • ·glazing
  • ·color mixing
  • ·value studies
  • ·layering

common pitfalls

  • →over-blending, resulting in a flat or lifeless appearance
  • →inaccurate proportions in the initial sketch
  • →muddy colors due to overmixing
  • →neglecting subtle value changes

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·burnt sienna oil paint
  • ·cadmium red oil paint
  • ·#4 round brush
  • ·#6 flat brush
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A smooth canvas surface will aid in blending.

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oil painting for beginners →how to learn by studying the masters →
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