apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Woman In Front Of Van Goghs Sunflower
Woman In Front Of Van Goghs Sunflower by Isaac Israels

plate no. 2244

Woman In Front Of Van Goghs Sunflower

Isaac Israels

oilImpressionismportraitportraitwomanhatfigureclothingbackground
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve subtle skin tones and practice loose, expressive brushwork to capture the impressionistic style. Students will also learn to simplify complex forms into basic shapes and values.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 7 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, hat, and background.

  2. step 02

    Block in the large areas of color, focusing on the overall value structure.

  3. step 03

    Begin to refine the skin tones, using subtle color variations to create form.

  4. step 04

    Add details to the hat and clothing, using loose brushstrokes to suggest texture.

  5. step 05

    Develop the background, using a variety of colors and brushstrokes to create depth.

  6. step 06

    Refine the edges and details, paying attention to the overall harmony of the painting.

  7. step 07

    Add final highlights and shadows to enhance the form and create visual interest.

color palette

primary · yellow ochre · burnt umber · ultramarine blue · titanium white

secondary · alizarin crimson · cadmium yellow light

Mix skin tones using white, yellow ochre, and a touch of alizarin crimson. Create the purple hues for the clothing by mixing ultramarine blue and alizarin crimson. Use burnt umber and ultramarine for darks.

techniques

  • ·alla prima
  • ·broken color
  • ·scumbling
  • ·color mixing
  • ·expressive brushwork

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Getting bogged down in details too early.
  • →Not paying attention to the overall value structure.
  • →Using colors straight from the tube without mixing them.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·medium gloss
  • ·easel
  • ·rags

Use a medium-grain canvas to allow for expressive brushwork. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann