apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Woman by a Goldfish Tank
Woman by a Goldfish Tank by Lovis Corinth

plate no. 2616

Woman by a Goldfish Tank

Lovis Corinth, 1911

oilImpressionismgenre paintingwomaninteriorgoldfish tankplantschairwindow
some experience helpful

Recreating this painting will help students develop skills in capturing light and shadow to create depth and dimension, as well as practice painting complex textures and patterns with loose brushstrokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, the goldfish tank, and the main elements of the background.

  2. step 02

    Establish the main light source and block in the large areas of light and shadow using thin washes of color.

  3. step 03

    Begin to develop the details of the figure, paying attention to the folds of the dress and the contours of the face.

  4. step 04

    Work on the goldfish tank, layering colors to create the illusion of depth and transparency.

  5. step 05

    Add the plants and other details in the background, using loose brushstrokes to suggest texture and form.

  6. step 06

    Refine the values and colors throughout the painting, adjusting the contrast and saturation as needed.

  7. step 07

    Add final details, such as highlights and reflections, to bring the painting to life.

  8. step 08

    Step back and evaluate the overall effect, making any necessary adjustments to the composition or color balance.

color palette

primary · ivory black · raw umber · yellow ochre · titanium white

secondary · cadmium red · viridian · ultramarine blue

Mix various shades of green by combining yellow ochre, viridian, and ultramarine blue. Use ivory black and raw umber to create dark shadows, and titanium white to create highlights.

techniques

  • ·broken color
  • ·scumbling
  • ·alla prima
  • ·chiaroscuro
  • ·wet-on-dry

common pitfalls

  • →Overworking the details, resulting in a stiff and unnatural look.
  • →Failing to establish a clear light source, leading to a lack of depth and dimension.
  • →Using colors that are too saturated, creating a garish and unrealistic effect.
  • →Ignoring the importance of value contrast, resulting in a flat and lifeless painting.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·viridian oil paint
  • ·assorted brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-textured canvas to allow for better paint adhesion and blending. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann