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home·artworks·Wolverhampton, Staffordshire
Wolverhampton, Staffordshire by J.M.W. Turner

plate no. 0304

Wolverhampton, Staffordshire

J.M.W. Turner, 1796

watercolorRomanticismcityscapecityscapebuildingsfiguresmarketskychurch
experienced study

Recreating this painting will help students develop skills in atmospheric perspective and rendering complex architectural details with watercolor washes. It also provides practice in depicting figures in a crowd and creating a sense of depth and scale.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main architectural elements and the horizon line.

  2. step 02

    Establish the sky with a diluted wash of blue and gray, allowing it to dry completely.

  3. step 03

    Apply a light wash of yellow ochre and burnt sienna to the buildings, varying the intensity for depth.

  4. step 04

    Add details to the buildings using a fine brush and darker shades of brown and gray.

  5. step 05

    Sketch in the figures in the foreground, using simple shapes and gestures.

  6. step 06

    Apply washes of color to the figures' clothing, using a limited palette of earth tones and muted blues.

  7. step 07

    Add details to the market stalls and other foreground elements.

  8. step 08

    Use dry brush techniques to create texture on the buildings and in the foreground.

color palette

primary · yellow ochre · burnt sienna · ultramarine blue

secondary · raw umber · payne's gray · ivory black

Achieve the muted tones by mixing complementary colors (e.g., blue and orange) and diluting with plenty of water. Use layering to build up depth and create subtle color variations.

techniques

  • ·watercolor washes
  • ·dry brush
  • ·atmospheric perspective
  • ·layering
  • ·rendering architectural details

common pitfalls

  • →Overworking the details too early
  • →Using too much water and losing control of the washes
  • →Creating muddy colors by overmixing
  • →Failing to establish a clear focal point

materials

surface · watercolor paper 140lb

required

  • ·watercolor paints
  • ·watercolor brushes (round and flat)
  • ·watercolor paper (140lb)
  • ·palette
  • ·water container
  • ·pencil
  • ·eraser

optional

  • ·masking fluid
  • ·palette knife
  • ·ruler
  • ·kneaded eraser

Use high-quality watercolor paper to prevent buckling and allow for multiple washes. A variety of brush sizes will be helpful for different levels of detail.

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watercolor techniques →how to learn by studying the masters →
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