apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Wladyslaw Laskonogi
Wladyslaw Laskonogi by Jan Matejko

plate no. 1404

Wladyslaw Laskonogi

Jan Matejko

oilRomanticismportraitportraitfigurecrownjewelryhistorical figureclothing
some experience helpful

This painting offers practice in portraiture, including capturing likeness and rendering details like hair and jewelry. Students will also learn about color mixing for skin tones and creating a sense of depth through subtle value changes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, focusing on the head and shoulders.

  2. step 02

    Establish the background color with a thin wash of diluted paint.

  3. step 03

    Block in the main areas of color: skin tones, hair, clothing, and jewelry.

  4. step 04

    Begin refining the facial features, paying attention to light and shadow to create form.

  5. step 05

    Add details to the hair, using varied brushstrokes to create texture and volume.

  6. step 06

    Work on the clothing and jewelry, adding highlights and shadows to create a sense of depth and realism.

  7. step 07

    Refine the background, adding subtle variations in color and tone.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · titanium white · yellow ochre · burnt umber · cadmium red

secondary · ultramarine blue · ivory black · gold

Mix skin tones using white, yellow ochre, and a touch of red and umber. Create variations by adding small amounts of blue or green. Achieve gold tones by mixing yellow ochre, burnt umber, and a touch of white.

techniques

  • ·portraiture
  • ·color mixing
  • ·blending
  • ·layering
  • ·rendering details

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the skin tones and losing the subtle variations.
  • →Making the jewelry look flat and lifeless.
  • →Ignoring the background and failing to create a sense of depth.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·cadmium red oil paint
  • ·#2 round brush
  • ·#6 flat brush
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. A medium-sized canvas (16x20 inches) is recommended for beginners.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke