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With the Wind by Edward Robert Hughes

plate no. 5996

With the Wind

Edward Robert Hughes

oilRomanticismportraitportraitwomanhairwindfacefigure
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in rendering soft skin tones and creating a sense of movement through delicate brushwork. It also provides practice in capturing subtle light and shadow variations on a face.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the face, neck, and hair.

  2. step 02

    Establish the overall background tone with a thin wash of neutral color.

  3. step 03

    Begin building up the skin tones with layers of light and shadow, focusing on the planes of the face.

  4. step 04

    Add the hair, using short, broken strokes to suggest movement and texture.

  5. step 05

    Define the features of the face, paying attention to the subtle details of the eyes, nose, and mouth.

  6. step 06

    Introduce the 'wind' elements around the figure, using similar colors and brushstrokes as the hair.

  7. step 07

    Refine the overall composition, adjusting values and adding highlights as needed.

  8. step 08

    Add final details and adjust the overall balance of the painting.

color palette

primary · raw umber · titanium white · burnt sienna

secondary · cadmium red light · ultramarine blue

Achieve skin tones by mixing white with small amounts of raw umber, burnt sienna, and cadmium red. Use ultramarine blue to cool down shadows.

techniques

  • ·scumbling
  • ·dry brushing
  • ·glazing
  • ·soft blending
  • ·portrait drawing

common pitfalls

  • →Overworking the skin tones, resulting in a muddy or lifeless appearance.
  • →Failing to capture the subtle nuances of light and shadow on the face.
  • →Making the hair appear too stiff or static.
  • →Losing the overall sense of softness and atmosphere.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·burnt sienna oil paint
  • ·cadmium red light oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·softening brush
  • ·painting medium

Use high-quality oil paints for best results. A toned canvas can help to establish the overall color harmony.

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