apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Winter's Morning
Winter's Morning by William Hart

plate no. 8789

Winter's Morning

William Hart, 1877

oilRomanticismlandscapetreessnowforestdeerwatersky
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and atmospheric perspective, as well as rendering realistic textures of trees and snow.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees, deer, and stream.

  2. step 02

    Establish the background sky with soft, blended colors, creating a subtle gradient.

  3. step 03

    Block in the distant trees and foliage with muted tones, paying attention to atmospheric perspective.

  4. step 04

    Paint the snow-covered ground, using variations of white and gray to create depth and texture.

  5. step 05

    Add the larger trees in the foreground, focusing on their shapes, textures, and shadows.

  6. step 06

    Render the deer with careful attention to its anatomy and fur texture.

  7. step 07

    Paint the stream, capturing the reflections and movement of the water.

  8. step 08

    Add final details, such as twigs, branches, and highlights on the snow.

color palette

primary · titanium white · burnt umber · ultramarine blue

secondary · yellow ochre · raw sienna · cadmium red light

Mix whites and blues with small amounts of umber and sienna to create the cool tones of the snow and sky. Use red and yellow ochre to create the warmer tones of the trees.

techniques

  • ·layering
  • ·blending
  • ·dry brushing
  • ·atmospheric perspective
  • ·rendering fur

common pitfalls

  • →Overworking the details in the background, which can flatten the image.
  • →Using too much pure white, which can make the snow look unnatural.
  • →Ignoring the subtle color variations in the snow and trees.
  • →Failing to create a sense of depth and atmosphere.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·#4 round brush
  • ·#6 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke