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home·artworks·Winter Sunshine
Winter Sunshine by Ethel Léontine Gabain

plate no. 7414

Winter Sunshine

Ethel Léontine Gabain, 1935

oilNeo-Romanticismportraitportraitfigureindoorcurtainslaceflowers
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones with subtle color variations. It will also provide practice in depicting fabric textures and creating a sense of light and atmosphere.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, focusing on the proportions and placement of the figure and key elements.

  2. step 02

    Establish the background with broad, loose strokes, paying attention to the light and shadow patterns on the curtains.

  3. step 03

    Block in the main areas of color for the figure, including the skin tones, dress, and hair.

  4. step 04

    Begin refining the facial features, focusing on capturing the likeness and expression of the subject.

  5. step 05

    Develop the details of the dress and lace, using smaller brushes and more precise strokes.

  6. step 06

    Add highlights and shadows to create depth and dimension in the figure and background.

  7. step 07

    Introduce the floral elements in the hair, using small touches of color to add visual interest.

  8. step 08

    Make final adjustments to the overall composition, ensuring that the light and shadow are balanced and the colors are harmonious.

color palette

primary · yellow ochre · titanium white · burnt umber

secondary · alizarin crimson · ultramarine blue · viridian

Mix skin tones by blending yellow ochre, burnt umber, and alizarin crimson with white. Use ultramarine blue and viridian to create cooler shadows. Achieve the yellow of the dress by mixing yellow ochre with a touch of white and a hint of green.

techniques

  • ·portrait painting
  • ·alla prima
  • ·color mixing
  • ·layering
  • ·blending

common pitfalls

  • →Overworking the details too early
  • →Incorrect proportions of the figure
  • →Muddying the colors by over-mixing
  • →Ignoring the light and shadow patterns

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·#2 round brush
  • ·#6 flat brush
  • ·#10 filbert brush
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·easel

Use high-quality oil paints for best results. Consider using a medium to thin the paint and improve flow.

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oil painting for beginners →how to learn by studying the masters →
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