apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Winter Sunlight
Winter Sunlight by Frederick McCubbin

plate no. 7978

Winter Sunlight

Frederick McCubbin, 1908

oilImpressionismlandscapetreesfieldchickensfenceskyfoliage
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as capturing the effects of light and shadow in a landscape. It will also teach them how to simplify complex scenes by focusing on essential shapes and colors.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, including the horizon line, trees, fence, and the general placement of the chickens.

  2. step 02

    Establish the sky with light blues and whites, blending softly.

  3. step 03

    Block in the large shapes of the trees and foliage with mixtures of greens, browns, and yellows.

  4. step 04

    Add darker values to the shadows under the trees and in the foliage to create depth.

  5. step 05

    Begin layering colors in the field, using greens, yellows, and touches of brown to create texture and variation.

  6. step 06

    Paint the fence with browns and grays, paying attention to the light and shadow.

  7. step 07

    Add the chickens with small strokes of white, brown, and black, capturing their shapes and movement.

  8. step 08

    Refine details and add highlights to create a sense of light and atmosphere.

color palette

primary · yellow ochre · sap green · burnt umber · titanium white

secondary · ultramarine blue · cadmium yellow · raw sienna

Mix greens by combining yellow ochre, sap green, and a touch of ultramarine blue. Create browns by mixing burnt umber with yellow ochre and a touch of blue. Use white to lighten colors and create highlights.

techniques

  • ·broken color
  • ·scumbling
  • ·layering
  • ·dry brushing
  • ·alla prima

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Using too much detail and not simplifying the scene.
  • →Creating mud by overmixing colors on the palette.
  • →Ignoring the effects of light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits

optional

  • ·painting medium
  • ·easel
  • ·rags

Use a medium-textured canvas to allow for better paint adhesion and texture. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann