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home·artworks·Winter Sunlight
Winter Sunlight by Fern Coppedge

plate no. 2213

Winter Sunlight

Fern Coppedge

oilImpressionismlandscapehousessnowtreesskylandscapewinter
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and capturing the effect of light on snow. It also provides practice in depicting architectural forms with simplified brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the houses, trees, and mountains, focusing on composition.

  2. step 02

    Block in the main color areas: sky, mountains, snow, and house facades.

  3. step 03

    Establish the darkest values, particularly in the shadows of the trees and houses.

  4. step 04

    Layer lighter tones over the snow-covered areas to create highlights and depth.

  5. step 05

    Add details to the houses, such as windows and rooflines, using small brushstrokes.

  6. step 06

    Refine the tree branches, adding texture and variation in color.

  7. step 07

    Blend edges where necessary to soften transitions between colors.

  8. step 08

    Add final highlights and details to enhance the sense of light and atmosphere.

color palette

primary · yellow ochre · ultramarine blue · titanium white · burnt sienna

secondary · cadmium red · viridian green · raw umber

Mix various shades of blue and white for the sky and snow shadows. Use yellow ochre and burnt sienna with white to create the warm tones of the houses. Add small amounts of red and green to neutralize colors and create depth.

techniques

  • ·broken color
  • ·scumbling
  • ·layering
  • ·dry brushing
  • ·color mixing

common pitfalls

  • →Overworking the snow, resulting in a flat, lifeless appearance.
  • →Using too much detail in the background, distracting from the focal point.
  • →Not establishing a clear light source, leading to inconsistent shadows.
  • →Failing to mix a variety of colors, resulting in a monotonous palette.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-tooth canvas to allow for better paint adhesion and texture. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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