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home·artworks·Winter Sun in Hafnarfjörður
Winter Sun in Hafnarfjörður by Asgrimur Jonsson

plate no. 9370

Winter Sun in Hafnarfjörður

Asgrimur Jonsson, 1930

oilImpressionismlandscapemountainssnowwaterskybuildingslandscape
some experience helpful

Recreating this painting will help students develop skills in color mixing for atmospheric perspective and layering brushstrokes to create texture and depth. It also provides practice in capturing the effects of light and reflection on water and snow.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, dividing the canvas into foreground, middle ground, and background.

  2. step 02

    Establish the horizon line and the main shapes of the mountains and landmasses.

  3. step 03

    Block in the sky with broad strokes, capturing the warm sunset colors.

  4. step 04

    Paint the water with horizontal strokes, reflecting the colors of the sky.

  5. step 05

    Add the distant mountains, using cooler, muted tones to create atmospheric perspective.

  6. step 06

    Develop the foreground with textured brushstrokes, layering colors to represent snow and rocks.

  7. step 07

    Add details to the buildings and other elements in the middle ground.

  8. step 08

    Refine the highlights and shadows to create depth and dimension.

color palette

primary · yellow ochre · titanium white · burnt sienna · ultramarine blue

secondary · cadmium red · violet · raw umber

Mix white with yellow ochre and a touch of red for the sky. Use ultramarine blue and burnt sienna to create muted grays and browns for the mountains. Add violet to white for cool snow shadows.

techniques

  • ·broken color
  • ·dry brush
  • ·scumbling
  • ·atmospheric perspective
  • ·layering

common pitfalls

  • →Overblending colors, resulting in a muddy appearance.
  • →Neglecting the importance of atmospheric perspective, making the background appear too sharp.
  • →Using too much detail in the background, distracting from the focal point.
  • →Failing to capture the subtle color variations in the snow.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·mineral spirits or turpentine (for cleaning brushes)

optional

  • ·painting medium
  • ·easel
  • ·rags

Use a medium-textured canvas to enhance the brushstroke visibility. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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