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home·artworks·Winter Morning
Winter Morning by Andrei Ryabushkin

plate no. 9358

Winter Morning

Andrei Ryabushkin, 1903

oilArt Nouveau (Modern)cityscapesnowbuildingswinterskytreesvillage
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and capturing the subtle variations in snow and sky. It also provides practice in rendering architectural forms and winter foliage.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the buildings, trees, and horizon line using light pencil strokes.

  2. step 02

    Block in the sky with a diluted blue-gray mixture, allowing for subtle variations in tone.

  3. step 03

    Establish the dark values of the buildings using a mix of dark green and brown.

  4. step 04

    Apply the base color for the snow-covered areas, a slightly warm white.

  5. step 05

    Add shadows to the snow using light blues and grays to define the forms.

  6. step 06

    Paint the details of the trees and foliage with thin, delicate brushstrokes using white and light blue.

  7. step 07

    Add the details of the buildings, such as windows and architectural features.

  8. step 08

    Refine the details and adjust the values to create a sense of depth and atmosphere.

color palette

primary · titanium white · cerulean blue · burnt umber

secondary · yellow ochre · raw sienna · payne's gray

Mix white with small amounts of blue and umber to create the various shades of snow and sky. Use yellow ochre and raw sienna to add warmth to the buildings and foliage.

techniques

  • ·layering
  • ·dry brushing
  • ·scumbling
  • ·color mixing
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details, resulting in a stiff and unnatural appearance.
  • →Using pure white for the snow without considering the subtle color variations.
  • →Failing to create a sense of depth and atmosphere through value and color changes.
  • →Making the building outlines too harsh and defined.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brush (size 8)
  • ·palette
  • ·palette knife
  • ·linseed oil or acrylic medium
  • ·odorless mineral spirits or water

optional

  • ·easel
  • ·painting medium
  • ·varnish

Use a medium-grain canvas for best results. Acrylics will dry faster, while oils allow for more blending time.

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