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home·artworks·Winter in Saint-Sauves-d'Auvergne
Winter in Saint-Sauves-d'Auvergne by Armand Guillaumin

plate no. 7821

Winter in Saint-Sauves-d'Auvergne

Armand Guillaumin, 1900

oilImpressionismcityscapevillagesnowmountainstreesbuildingswinter
some experience helpful

This painting provides an opportunity to practice layering colors to create depth and texture, as well as capturing the subtle variations in light and shadow on a snowy landscape. Students can also learn to simplify complex forms into basic shapes and use brushstrokes to suggest detail rather than rendering it precisely.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the buildings, mountains, and trees.

  2. step 02

    Establish the horizon line and the overall perspective of the scene.

  3. step 03

    Block in the main color areas: sky, mountains, snow, buildings, and trees.

  4. step 04

    Begin layering colors to create depth and form, paying attention to the light and shadow.

  5. step 05

    Add details to the buildings, trees, and snow, using a variety of brushstrokes.

  6. step 06

    Refine the colors and values, adjusting the overall balance of the painting.

  7. step 07

    Add final highlights and details to create a sense of realism.

  8. step 08

    Step back and assess the painting, making any necessary adjustments.

color palette

primary · titanium white · burnt sienna · ultramarine blue

secondary · yellow ochre · cadmium red · violet

Mix white with small amounts of blue and violet for the sky and snow shadows. Use burnt sienna and red for the buildings, and mix greens from blue and yellow for the evergreens.

techniques

  • ·broken color
  • ·layering
  • ·scumbling
  • ·dry brushing
  • ·color mixing

common pitfalls

  • →Overworking the details and losing the overall impressionistic effect.
  • →Using too much pure white and not enough subtle variations in the snow.
  • →Creating muddy colors by overmixing.
  • →Ignoring the perspective and creating a flat, unrealistic composition.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·burnt sienna oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·cadmium red oil paint
  • ·round brushes size 2, 4, 6
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·violet oil paint
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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