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home·artworks·Winter in Bucharest
Winter in Bucharest by Jean Alexandru Steriadi

plate no. 8843

Winter in Bucharest

Jean Alexandru Steriadi, 1914

oilImpressionismcityscapebuildingsnowwinterdoorwindowscityscape
some experience helpful

Recreating this painting will help students develop skills in color mixing for snow and creating depth through layering and brushwork. It also provides practice in depicting architectural details in a loose, impressionistic style.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the building, door, and windows, paying attention to perspective.

  2. step 02

    Block in the large areas of color: the yellow of the building, the red of the door and windows, and the white of the snow.

  3. step 03

    Begin layering the snow, using variations of white, blue, and gray to create depth and texture.

  4. step 04

    Add details to the building, such as the window panes and the awning, using a smaller brush.

  5. step 05

    Refine the shadows and highlights on the building and snow to create a sense of form.

  6. step 06

    Add the figure in the background, keeping it simple and indistinct.

  7. step 07

    Adjust the colors and values as needed to create a cohesive and harmonious painting.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · titanium white · yellow ochre · burnt sienna

secondary · ultramarine blue · raw umber · cadmium red

Mix white with small amounts of blue and yellow to create the cool tones of the snow. Use yellow ochre and burnt sienna to create the warm tones of the building. Mix red with umber for the door and windows.

techniques

  • ·broken color
  • ·layering
  • ·scumbling
  • ·impasto
  • ·color mixing

common pitfalls

  • →Overworking the snow and losing the sense of freshness.
  • →Making the building too detailed and losing the impressionistic feel.
  • →Not creating enough variation in the colors of the snow.
  • →Ignoring the subtle color shifts in the shadows.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·ultramarine blue oil paint
  • ·raw umber oil paint
  • ·cadmium red oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-textured canvas to allow for visible brushstrokes. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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