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home·artworks·Winter Harmony
Winter Harmony by John Henry Twachtman

plate no. 0557

Winter Harmony

John Henry Twachtman, 1900

oil, canvasImpressionismlandscapewinterlandscapesnowtreeswaterstream
some experience helpful

Recreating this painting will help students understand atmospheric perspective and how to create a sense of depth using color and value. It also provides practice in capturing the texture of snow and water with loose brushstrokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the stream and trees.

  2. step 02

    Establish the overall color scheme with a thin wash of blues and purples for the background and sky.

  3. step 03

    Block in the larger areas of snow with white and light grays, paying attention to the shapes and shadows.

  4. step 04

    Add the darker values in the water, using blues, greens, and browns to create depth and reflections.

  5. step 05

    Paint the trees and branches, using a variety of browns, oranges, and greens.

  6. step 06

    Develop the details in the snow, adding texture and highlights with short, broken brushstrokes.

  7. step 07

    Refine the reflections in the water, using similar colors as the surrounding landscape.

  8. step 08

    Add final touches and highlights to create a sense of light and atmosphere.

color palette

primary · ultramarine blue · titanium white · burnt umber

secondary · yellow ochre · alizarin crimson · viridian green

Achieve the muted tones by mixing complementary colors and adding white. Use thin washes of color to build up the atmosphere.

techniques

  • ·wet-on-wet blending
  • ·broken color
  • ·scumbling
  • ·atmospheric perspective
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Creating too much contrast, which can flatten the image.
  • →Using colors straight from the tube without mixing, resulting in a harsh, unnatural look.
  • →Ignoring the subtle color variations in the snow and water.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·rags

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-grain canvas to allow for texture. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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