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home·artworks·Winter Evening in Holland
Winter Evening in Holland by Hermann Ottomar Herzog

plate no. 7698

Winter Evening in Holland

Hermann Ottomar Herzog

oil, canvasRomanticismlandscapelandscapewinterwindmilltreeswaterfigure
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and creating a sense of depth through subtle value and color changes. It also offers practice in painting bare trees and reflections in water.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to the placement of the horizon line, windmill, trees, and figure.

  2. step 02

    Block in the sky with a gradient of warm colors, from a deeper orange near the horizon to a lighter pinkish hue higher up.

  3. step 03

    Establish the dark masses of the trees and foliage, using a mix of browns and blacks.

  4. step 04

    Paint the snow-covered ground, using lighter values of brown and gray, and adding subtle variations in color to suggest texture.

  5. step 05

    Add the windmill in the distance, paying attention to its simplified form and muted colors.

  6. step 06

    Paint the water, reflecting the sky and surrounding landscape, using horizontal brushstrokes.

  7. step 07

    Add the figure walking through the water, using dark colors and simplified shapes.

  8. step 08

    Refine the details, such as the branches of the trees, the texture of the snow, and the reflections in the water.

color palette

primary · burnt umber · titanium white · cadmium orange

secondary · ultramarine blue · raw sienna · alizarin crimson

Achieve the subtle atmospheric colors by mixing white with small amounts of orange, umber, and crimson. Use ultramarine blue to cool down the browns and create shadows.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·dry brushing
  • ·scumbling
  • ·limited palette

common pitfalls

  • →Overworking the details and losing the overall atmospheric effect.
  • →Using colors that are too bright or saturated.
  • →Failing to create a sense of depth through value and color changes.
  • →Making the reflections in the water too literal or symmetrical.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·cadmium orange oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

A toned canvas (e.g., with a thin wash of burnt umber) can be helpful for establishing the overall warm tone of the painting.

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oil painting for beginners →how to learn by studying the masters →
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