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home·artworks·Winter Evening at Söder, Stockholm
Winter Evening at Söder, Stockholm by Georg Pauli

plate no. 4409

Winter Evening at Söder, Stockholm

Georg Pauli, 1889

oilImpressionismcityscapesnowrooftopscityscapenightbuildingssky
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing the subtle color variations in snow and night scenes. It also provides practice in creating a sense of depth and distance using value and color temperature.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the rooftops and buildings, paying attention to their relative sizes and positions.

  2. step 02

    Establish the overall value structure by blocking in the darks and lights with thin washes of color.

  3. step 03

    Mix a range of cool blues and grays for the sky and snow, and warm browns and oranges for the buildings and lights.

  4. step 04

    Begin layering the paint, building up the texture and detail of the snow-covered roofs with visible brushstrokes.

  5. step 05

    Add the warm light emanating from the windows, using small touches of orange and yellow.

  6. step 06

    Refine the details of the buildings and chimneys, paying attention to their shapes and proportions.

  7. step 07

    Soften the edges of the forms to create a sense of atmosphere and depth.

  8. step 08

    Add final highlights and shadows to enhance the contrast and create a sense of realism.

color palette

primary · ultramarine blue · burnt umber · titanium white

secondary · yellow ochre · cadmium orange

Mix blues and umber with white for the cool snow shadows. Use yellow ochre and cadmium orange to create the warm glow of the lights. Vary the proportions to achieve subtle color variations.

techniques

  • ·dry brush texture
  • ·scumbling
  • ·atmospheric perspective
  • ·color temperature variation

common pitfalls

  • →overworking the details
  • →making the snow too white and flat
  • →losing the sense of atmosphere
  • →incorrect proportions of buildings

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·#4 round brush
  • ·#6 flat brush
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-grain canvas for better texture. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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