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home·artworks·Winter, England
Winter, England by Tom Roberts

plate no. 4536

Winter, England

Tom Roberts, 1920

oilImpressionismlandscapetreesforestlandscapewintergroundbranches
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as understanding atmospheric perspective in landscape painting. It also provides practice in capturing the subtle nuances of light and shadow on tree bark.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees and the horizon line.

  2. step 02

    Establish the background with a thin wash of blues and grays to create the atmospheric perspective.

  3. step 03

    Block in the main shapes of the trees with a light underpainting, paying attention to their verticality and spacing.

  4. step 04

    Begin layering colors on the tree trunks to create texture and dimension, using a variety of grays, whites, and yellows.

  5. step 05

    Paint the ground with a base layer of yellow, then add variations in tone and color to create depth and texture.

  6. step 06

    Add the details of the branches, using a fine brush and a dark color.

  7. step 07

    Refine the highlights and shadows on the trees and ground to enhance the sense of light and form.

  8. step 08

    Add final details and adjust colors as needed to achieve a cohesive and harmonious composition.

color palette

primary · titanium white · yellow ochre · ultramarine blue

secondary · burnt umber · raw sienna · payne's gray

Mix various shades of gray by combining white, blue, and umber. Use yellow ochre and white to create the light tones on the ground and trees. Add small amounts of blue to grays to create the atmospheric perspective in the background.

techniques

  • ·dry brush texture
  • ·layering
  • ·scumbling
  • ·atmospheric perspective
  • ·color mixing

common pitfalls

  • →Overworking the details and losing the overall impressionistic effect.
  • →Using too much paint and creating a muddy texture.
  • →Failing to create a sense of depth and atmosphere.
  • →Not paying attention to the subtle variations in color and tone.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-textured canvas to help create the impressionistic effect. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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