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home·artworks·Winter End
Winter End by Constantin Artachino

plate no. 3924

Winter End

Constantin Artachino

oilImpressionismlandscapebuildingshousesskygroundtreesarchitecture
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve muted tones and practice loose, expressive brushwork to capture the scene's atmosphere. It also provides practice in simplifying complex forms into basic shapes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings and the horizon line.

  2. step 02

    Block in the large areas of color for the sky, ground, and buildings using thin washes.

  3. step 03

    Start adding darker values to define the shadows and architectural details.

  4. step 04

    Mix and apply the colors for the roofs, paying attention to the subtle variations in hue.

  5. step 05

    Use thicker paint and visible brushstrokes to add texture to the ground and buildings.

  6. step 06

    Add details like the windows and the small patches of snow.

  7. step 07

    Refine the edges and adjust the values to create a sense of depth.

  8. step 08

    Add final highlights to create focal points.

color palette

primary · raw umber · yellow ochre · burnt sienna

secondary · titanium white · sap green · ultramarine blue

Achieve the muted tones by mixing complementary colors (e.g., a touch of blue into orange) and using raw umber to dull the intensity of brighter colors. Use white to lighten values and create subtle gradations.

techniques

  • ·dry brush
  • ·scumbling
  • ·color mixing
  • ·layering
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Using colors that are too bright and saturated.
  • →Failing to establish a strong value structure.
  • →Not simplifying the forms of the buildings.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 inches)
  • ·oil paints (raw umber, yellow ochre, burnt sienna, titanium white, ultramarine blue, sap green)
  • ·palette
  • ·palette knife
  • ·assorted brushes (flat and round)
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·painting medium (e.g., Liquin)
  • ·easel
  • ·rags

A toned canvas (e.g., with a thin wash of raw umber) can be helpful for establishing the overall color harmony.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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