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Winter by Ernest Lawson

plate no. 5644

Winter

Ernest Lawson, 1920

oil, canvasImpressionismlandscapelandscapesnowtreeshousemountainswinter
some experience helpful

Recreating this painting will help students develop skills in layering colors to create texture and capturing the subtle nuances of light in a snowy landscape. It also provides practice in simplifying complex forms into impressionistic brushstrokes.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, including the mountains, trees, and house, focusing on proportions and placement.

  2. step 02

    Establish the sky and background with thin washes of color, blending gently.

  3. step 03

    Block in the larger shapes of the mountains and trees with broader strokes, using a mix of greens, blues, and browns.

  4. step 04

    Begin layering the snow, using a mix of white, blue, and yellow to create variations in tone and temperature.

  5. step 05

    Add details to the house, focusing on capturing its form with simple shapes and colors.

  6. step 06

    Develop the texture of the trees and ground with short, broken brushstrokes, varying the direction and pressure.

  7. step 07

    Refine the highlights and shadows to create depth and dimension.

  8. step 08

    Add final touches and details, such as small branches and subtle color variations.

color palette

primary · titanium white · ultramarine blue · yellow ochre · viridian green

secondary · burnt umber · cadmium yellow · alizarin crimson

Mix white with small amounts of blue and yellow to create the cool tones of the snow. Use green and brown combinations for the trees, and add touches of red and yellow for warmth.

techniques

  • ·broken color
  • ·impasto
  • ·layering
  • ·scumbling
  • ·alla prima

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Using too much detail and not capturing the impressionistic style.
  • →Failing to create enough variation in the snow, resulting in a flat and uninteresting surface.
  • →Ignoring the subtle color variations in the shadows.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·viridian green oil paint
  • ·round brushes (#4, #6, #8)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium (e.g., Liquin)
  • ·easel

Use a medium-textured canvas to enhance the brushwork. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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