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home·artworks·Winter at Old Kiev
Winter at Old Kiev by Tetyana Yablonska

plate no. 6847

Winter at Old Kiev

Tetyana Yablonska, 1976

oil, canvasImpressionismlandscapewinterlandscapesnowcityscapebuildingstrees
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and creating depth through subtle color variations. It will also provide practice in rendering complex scenes with simplified forms.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the hills, buildings, and skyline, focusing on the overall composition.

  2. step 02

    Establish the sky with a light, cool gray wash, blending it smoothly.

  3. step 03

    Block in the large areas of snow-covered hills, using varying shades of white mixed with blues and purples to indicate shadows and depth.

  4. step 04

    Add the darker tones of the trees and buildings, paying attention to their placement and relative size to create perspective.

  5. step 05

    Refine the details of the buildings and trees, using smaller brushes to add texture and definition.

  6. step 06

    Introduce subtle color variations in the snow to suggest light and shadow, using thin glazes of color.

  7. step 07

    Soften edges and blend areas to create a sense of atmosphere and distance.

  8. step 08

    Add final highlights and details to bring the painting to life.

color palette

primary · titanium white · ultramarine blue · raw umber

secondary · burnt sienna · purple · yellow ochre

Mix white with small amounts of blue and umber to create the various shades of snow. Use burnt sienna and umber for the buildings, and mix blues and purples for shadows.

techniques

  • ·atmospheric perspective
  • ·dry brushing
  • ·glazing
  • ·scumbling
  • ·color mixing

common pitfalls

  • →Overworking the details and losing the overall impressionistic feel.
  • →Using too much pure white, resulting in a flat, unrealistic snow effect.
  • →Ignoring the subtle color variations in the snow and sky.
  • →Failing to create a sense of depth and distance.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a canvas with a medium texture to allow for better blending and layering of paint.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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