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home·artworks·Winter Afternoon Old Munich
Winter Afternoon Old Munich by T. C. Steele

plate no. 2828

Winter Afternoon Old Munich

T. C. Steele, 1883

oil, canvasImpressionismcityscapebuildingssnowfigurestreescityscapewinter
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and creating a sense of depth through subtle value and color changes. It also provides practice in rendering architectural forms and figures in a muted, impressionistic style.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main shapes: buildings, figures, and the fountain.

  2. step 02

    Establish the overall value structure with a thin wash of neutral tones, focusing on the light and shadow patterns.

  3. step 03

    Block in the larger areas of color, such as the sky, snow, and building facades, using a limited palette.

  4. step 04

    Develop the details of the buildings, paying attention to the subtle variations in color and value.

  5. step 05

    Add the figures and the fountain, refining their shapes and values to integrate them into the scene.

  6. step 06

    Paint the trees and branches, using a dry brush technique to create texture.

  7. step 07

    Refine the snow-covered ground, adding subtle variations in color and texture to suggest depth.

  8. step 08

    Add final highlights and details to enhance the overall sense of realism and atmosphere.

color palette

primary · raw umber · titanium white · yellow ochre

secondary · burnt sienna · ultramarine blue · cadmium red light

Achieve the muted tones by mixing white with small amounts of raw umber, yellow ochre, and burnt sienna. Use ultramarine blue to cool down the whites for the snow and sky.

techniques

  • ·atmospheric perspective
  • ·dry brush
  • ·scumbling
  • ·limited palette
  • ·tonal painting

common pitfalls

  • →Overworking the details
  • →Using too much bright color
  • →Ignoring the subtle value changes
  • →Creating flat, lifeless snow

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a canvas with a fine weave to allow for smooth blending. Consider using a toned canvas to establish a base value.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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