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home·artworks·Winter Afternoon
Winter Afternoon by Willard Metcalf

plate no. 4968

Winter Afternoon

Willard Metcalf, 1917

oilImpressionismlandscapesnowhousestreeswinterlandscapesky
some experience helpful

This painting is great for learning how to mix subtle color variations in snow and create depth through atmospheric perspective. Students can practice layering and blending techniques to achieve the soft, impressionistic style.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the houses, trees, and snow drifts, focusing on composition.

  2. step 02

    Establish the sky with a light blue wash, blending towards the horizon.

  3. step 03

    Block in the distant hills with muted blues and purples to create atmospheric perspective.

  4. step 04

    Begin layering the snow with various shades of white, blue, and purple, capturing the shadows and highlights.

  5. step 05

    Add details to the houses, including windows, doors, and roof lines, using a limited palette of grays and blues.

  6. step 06

    Paint the trees with thin, vertical strokes, varying the color and thickness to create depth.

  7. step 07

    Refine the details in the foreground snow, adding texture and shadows to create a sense of depth.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · titanium white · ultramarine blue · yellow ochre

secondary · burnt umber · alizarin crimson

Mix white with small amounts of blue and umber for snow shadows. Use yellow ochre and umber for the warm tones in the buildings. Add alizarin crimson to blue and umber for purplish shadows.

techniques

  • ·wet-on-wet blending
  • ·broken color
  • ·scumbling
  • ·atmospheric perspective
  • ·layering

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Ignoring the subtle color variations in the snow.
  • →Creating overly sharp edges, losing the soft, impressionistic feel.
  • →Not establishing a clear light source.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine

Use a medium-tooth canvas for better texture. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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