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home·artworks·Windy Day, Bronx River
Windy Day, Bronx River by Ernest Lawson

plate no. 5003

Windy Day, Bronx River

Ernest Lawson

oil, canvasImpressionismlandscapelandscapebuildingstreessnowriversky
some experience helpful

Recreating this painting will help students develop skills in impressionistic brushwork and color mixing to create a sense of atmosphere and depth. It also provides practice in simplifying complex scenes into basic shapes and values.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: the horizon line, the buildings, the trees, and the foreground hill.

  2. step 02

    Block in the sky with a light blue-grey wash, allowing for variations in tone.

  3. step 03

    Establish the basic shapes of the buildings with dark blues and greens, paying attention to their relative sizes and positions.

  4. step 04

    Paint the foreground hill with a mix of blues, purples, and whites, using short, broken brushstrokes to suggest snow and texture.

  5. step 05

    Add the bare trees with thin, vertical strokes, using browns and greys.

  6. step 06

    Introduce highlights on the buildings and snow using thicker applications of white and light blues.

  7. step 07

    Add small details like the birds in the sky and the suggestion of distant hills.

  8. step 08

    Refine the overall composition by adjusting values and adding subtle color variations.

color palette

primary · titanium white · ultramarine blue · viridian green

secondary · burnt umber · cadmium yellow · alizarin crimson

Achieve the snowy landscape by mixing white with small amounts of blue, purple, and green. Use burnt umber and ultramarine blue to create dark tones for the buildings and trees. Mix viridian green with white and yellow for the roof.

techniques

  • ·broken color
  • ·impasto
  • ·scumbling
  • ·layering
  • ·alla prima

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Creating muddy colors by over-mixing.
  • →Failing to establish a clear value structure.
  • →Making the buildings too detailed and realistic.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·viridian green oil paint
  • ·burnt umber oil paint
  • ·assorted brushes (round and flat)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-textured canvas to enhance the brushstroke visibility. Consider using a fast-drying medium to speed up the drying time.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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