
plate no. 0513
Johan Jongkind, 1866
Recreating this painting will help students develop skills in loose watercolor washes and capturing atmospheric perspective. It also provides practice in suggesting details with minimal lines and brushstrokes.
technical profile
approach — 8 steps
Lightly sketch the main shapes: windmill, buildings, tree, and horizon line.
Apply a light wash of diluted blue and grey for the sky, leaving some areas white for clouds.
Paint the windmill with a mix of yellow ochre and burnt sienna, adding darker tones for shadows.
Add the buildings using a mix of burnt umber and raw sienna, varying the intensity for depth.
Paint the tree with a mix of green and brown, using short, broken strokes to suggest foliage.
Add the foreground with washes of green and brown, suggesting grass and dirt.
Use a fine brush or pen to add a few dark lines for definition and details.
Allow the painting to dry completely and then add final touches and highlights.
color palette
primary · ultramarine blue · yellow ochre · burnt sienna
secondary · raw sienna · burnt umber · sap green
Achieve the sky color by diluting ultramarine blue with plenty of water. Mix yellow ochre and burnt sienna in varying proportions to create the tones for the windmill and buildings. Use sap green mixed with burnt umber for the foliage.
techniques
common pitfalls
surface · watercolor paper 140lb
required
optional
Use good quality watercolor paper to prevent buckling. Experiment with different brush sizes to achieve various effects.
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