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home·artworks·Wind Mill at Antwerp
Wind Mill at Antwerp by Johan Jongkind

plate no. 0513

Wind Mill at Antwerp

Johan Jongkind, 1866

watercolor, chalkImpressionismlandscapewindmillbuildingsskytreeslandscapeclouds
some experience helpful

Recreating this painting will help students develop skills in loose watercolor washes and capturing atmospheric perspective. It also provides practice in suggesting details with minimal lines and brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 6 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: windmill, buildings, tree, and horizon line.

  2. step 02

    Apply a light wash of diluted blue and grey for the sky, leaving some areas white for clouds.

  3. step 03

    Paint the windmill with a mix of yellow ochre and burnt sienna, adding darker tones for shadows.

  4. step 04

    Add the buildings using a mix of burnt umber and raw sienna, varying the intensity for depth.

  5. step 05

    Paint the tree with a mix of green and brown, using short, broken strokes to suggest foliage.

  6. step 06

    Add the foreground with washes of green and brown, suggesting grass and dirt.

  7. step 07

    Use a fine brush or pen to add a few dark lines for definition and details.

  8. step 08

    Allow the painting to dry completely and then add final touches and highlights.

color palette

primary · ultramarine blue · yellow ochre · burnt sienna

secondary · raw sienna · burnt umber · sap green

Achieve the sky color by diluting ultramarine blue with plenty of water. Mix yellow ochre and burnt sienna in varying proportions to create the tones for the windmill and buildings. Use sap green mixed with burnt umber for the foliage.

techniques

  • ·wet-on-wet blending
  • ·dry brush
  • ·watercolor washes
  • ·atmospheric perspective
  • ·suggestive linework

common pitfalls

  • →Overworking the details
  • →Using too much water and creating blooms
  • →Making the colors too saturated
  • →Not establishing a clear focal point

materials

surface · watercolor paper 140lb

required

  • ·watercolor paints
  • ·watercolor brushes (round and flat)
  • ·watercolor paper 140lb
  • ·palette
  • ·water container
  • ·pencil
  • ·eraser

optional

  • ·masking fluid
  • ·palette knife
  • ·ruler

Use good quality watercolor paper to prevent buckling. Experiment with different brush sizes to achieve various effects.

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related guides

watercolor techniques →how to draw →color theory for painters →how to learn by studying the masters →
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