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home·artworks·Wilma with a Cat
Wilma with a Cat by Carel Willink

plate no. 1225

Wilma with a Cat

Carel Willink, 1940

oilMagic Realismportraitportraitcatfigurearchitecturecolumnsplaid
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing for skin tones and fabric, and creating a sense of depth through atmospheric perspective. Students will also practice rendering fur and capturing the likeness of a pet.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure, cat, and background elements.

  2. step 02

    Establish the main light source and block in the large shapes of color and value.

  3. step 03

    Begin refining the skin tones, paying attention to subtle shifts in color and value.

  4. step 04

    Work on the cat's fur, using short, directional brushstrokes to create texture.

  5. step 05

    Develop the plaid pattern on the clothing, carefully rendering the intersecting lines and colors.

  6. step 06

    Add details to the background architecture, creating a sense of depth and perspective.

  7. step 07

    Refine the overall composition, adjusting values and colors as needed.

  8. step 08

    Add final highlights and details to bring the painting to life.

color palette

primary · burnt umber · raw sienna · titanium white · ivory black

secondary · cadmium red · viridian · yellow ochre

Mix skin tones by blending burnt umber, raw sienna, titanium white, and a touch of cadmium red. Create the plaid pattern by mixing viridian and yellow ochre with burnt umber and white to achieve the various shades of green, brown, and beige.

techniques

  • ·portraiture
  • ·color mixing
  • ·atmospheric perspective
  • ·rendering fur
  • ·fabric texture

common pitfalls

  • →Incorrect proportions of the figure or cat.
  • →Overmixing colors, resulting in muddy tones.
  • →Ignoring the subtle shifts in value and color.
  • →Failing to create a sense of depth in the background.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·#2 round brush
  • ·#6 flat brush
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a medium to thin the paint and improve flow.

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oil painting for beginners →how to learn by studying the masters →
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